There was a time when music magazines viewed as their task to introduce their readers to new and interesting music. This time has come and gone. Music journalism of today, to the extent it exists, is close to necrophilia. Covering archival releases from Neil Young (it never ends), highlighting a 50-year anniversary of a Queen album, resurrection of Oasis, digging up Gram Parsons, what Roger Waters thinks of David Gilmour and vice versa isn't exactly new and interesting. We can all agree upon that the golden age of music magazines is over. Some magazines have ceased to exist (Q), some magazines are now only published bimonthly (NME), while others are still published monthly but, in practise, have moved over to the web (Rolling Stone, Mojo and Uncut). They are held up by a diminishing group of elderly men with purchasing power clinging on to their adolescent heroes. I have never cared for music magazines. The empty phrases and all the gibberish, the rumination, the stereotype journalistic angle, the pretentious narrative style, the incomplete sentence structure are things that bothers me. The low ambition is the worst. My website is sometimes referred to as a blog. Well, there are more blog posts than articles. But, on the the other hand, the regrowth in the genre is close to zero. I have never claimed to be a journalist or to have any journalistic ambitions. I'm only a civil servant with an internet connection. Some people say that music journalists are just failed musicians. That's not entirely true, but it sure explains a lot.

What is the optimal size of a record collection? You might as well ask what is the sound of one hand clapping. It's a deep and philosophical matter. However, the size of a record collection also has practical implications. I have 5 913 cds according to my meticulously maintained Discogs account. Is this an asset or a liability? I used to think it was an asset. I pictured myself sitting in a comfortable armchair giving attentive listening a new and deeper meaning as a retiree. Now, I'm not so sure anymore. It might be a liabilty. I picture my kids, after my demise, driving to the recycling centre with the less valuable part of my record collection, cursing their hoarding father. Now and then I think that I should get rid of the collection, at least some part of it. Not only will this take the load off (no pun intended) from my kids, but it will also make it easier on myself. Half of the collection consists of classical cds released on prestigious labels like Deutsche Grammophon, Decca, Sony and Philips. Some of them were bought full-priced back in the days, but most of them I have paid as little as $0,2-1 for. I don't know what the original plan was, but I have felt sorry for them standing there abandoned in the thrift store. We can leave the classical albums aside. This department will need special handling. Over to the 3 000 pop, rock, jazz, blues and country albums (and the 583 gothic country albums). Now, it gets hard. Which albums will survive the purge? The thing that makes it so hard is that the record collection has been built up over the years, layer by layer. Preferences change over time. Downsizing or rightsizing is time-dependent and context-dependent, but I'm the constant factor. We will see how this plays out.       

Fear of missing out (FOMO) is the feeling of apprehension that one is either not in the know about or missing out on information, events, experiences, or life decisions that could make one's life better. This nagging feeling is common among young people. Older people like myself already know that we missed out or we don't care. I fear that I will miss out on Munly J. Munly, one of the most renowned artists in the genre and one of the stalwarts of the Denver scene. Munly has performed - solo and in bands - under different names: Jay Munly, Munly, Munly & the Lee Lewis Harlots, Munly & the Lupercalians, DBUK and Slim Cessna's Auto Club. Munly J. Munly is touring in Europe in November and December 2025 together with outlaw country artist Bob Wayne. I got his "Blood To Dust" cdr from 2006, which is a stellar album. I live in a remote part of the world. There will not be any concerts in Sweden. However, there will be three concerts in our neighboring country Finland. It's even more remote than Sweden. Let's list the pros and cons of going over the Baltic Sea. First, it's doable logistically. The ferry passes outside my living room window twice a day and it's only 10 minutes to the ferry terminal. However, the crossing takes 11 hours. Second, there are decent places to stay in Finland. But, hotel rooms are quite expensive. All together, ferry and accomodation is about $500. Add food and drink to the bill. Third, the concert will start 23.30 (11.30 pm). Normally, this is past my bedtime. Fourth, Munly will perform solo. This is passable, but it's not quite the same as a band. Fifth, the concert is scheduled to last one hour. This will affect the economic justification formula. It should be abundantly clear, that my excuses are lame and stacked upon each other. Maybe if he came to Stockholm, with a band and played at family-friendly hours etcetera. I don't like to step out of my comfort zone. As always, I'm talking tough in the locker room but it doesn't manifest itself on the field.  

Touring schedule: Below you will find the touring schedule. 

Johnny Cash a.k.a. "The Man in Black" is widely recognized as an icon of American music. Even an icon has his highs and lows. His record sales had suffered during the late 1970s and 1980s. When Cash met American record producer Rick Rubin things took a new direction. This also marked the beginning of a career resurgence for him. Johnny Cash was discovered by a new audience. There are six albums in the American series. The last album "American VI: Ain’t No Grave" was posthumously released on February 26, 2010. This would have been Cash’s 78th birthday. Johnny Cash didn't know all the songs that Rick Rubin suggested, but he made fantastic interpretations of them. All the recordings that were made didn't make it to the albums. "Unearthed" is a box set (5 cds). It was released on November 25, 2003, two months after Cash's death. The album was compiled by Cash and Rick Rubin, who also produced the set. The first three discs feature outtakes and alternate versions of songs recorded for first four albums. The fourth disc features gospel songs that Cash first learned from his mother as a child. The fifth disc is a best-of compilation of the first four American albums. The Rolling Stone wrote: "The American Records were stark, stripped-down, mostly acoustic meditations on the more apocalyptic side of Cash’s persona." For once, I agree with this awful and overbearing magazine. 

About the list: For your listening pleasure. I have put together a 80 minute cd compilation, so you don't have to. It's all there. Balanced, weighted and calibrated.

No	Cover	Song	Album	Notes
1		The Beast In Me	American Recordings	Written by Nick Lowe. This song has all the necessary attributes. Slow, mournful and open-hearted. The lyrics are pitch-black. "The beast in me / Is caged by frail and fragile bars".
2		Thirteen	American Recordings	Written by Glenn Danzig (for Johnny Cash) in 20 minutes. A mournful dialogue of a life blighted by bad luck and misery. "I was born in the soul of misery / And I never had me a name / They just give me a number when I was young".
3		Redemption	American Recordings	Written by Johnny Cash. A hymn about being freed from captivity through the blood of Christ. Jesus was pierced by a spear. "From his hands it came down / from the side it came down / from the feet it came down and ran to the ground".
4		Spiritual	Unchained	Written by Josh Haden. Original music written by Charlie Haden. This song is about a man who has lost it all and only has God left in him. "Jesus / I don't wanna die alone / Jesus, oh Jesus / I don't wanna die alone".
5		Southern Accents	Unchained	Written by Tom Petty. The song refers to both the literal Southern drawl of the narrator and the deeper, symbolic meaning of Southern identity, pride, and the often-contradictory cultural aspects of the American South. "There's a southern accent, where I come from".
6		Unchained	Unchained	Written by Jude Johnstone. The song is a prayer for liberation from physical and spiritual burdens. "I am weak / Oh, I know I am vain / Take this weight from me / Let my spirit be unchained".
7		Solitary Man	American III: Solitary Man	Written by Neil Diamond. The song describes a man who, after failed relationships where partners left him for his friends, chooses to remain a "solitary man". "I'll be what I am / A solitary man / Solitary man".
8		One	American III: Solitary Man	Written by U2. The song explores themes of unity, division, and the complexity of human relationships, particularly in times of struggle and hardship. "Did I disappoint you? / Or leave a bad taste in your mouth? / You act like you never had love / You want me to go without".
9		I See A Darkness	American III: Solitary Man	Written by Bonnie 'Prince' Billy. The lyrics convey a sense of darkness, despair, and mortality. "Did you know how much I love you? / Is a hope that somehow you / Can save me from this darkness".
10		The Mercy Seat	American III: Solitary Man	Written by Nick Cave. The song tells the story of a man about to be executed by the electric chair. In this version (as opposed to Cave's) you can actually hear the lyrics. "And the mercy seat is waiting / And I think my head is burning".
11		Wayfaring Stranger	American III: Solitary Man	Traditional. Perfection is achieved not when there is nothing more to add, but when there is nothing left to take away. This version is ranked no. 1 on my list 10 best versions of "Wayfaring Stranger". "There is no sickness, toil, nor danger, In that bright world to which I go".
12		The Man Comes Around	American IV: The Man Comes Around	Written by Johnny Cash. Stuffed with biblical references. "And I heard, as it were, the noise of thunder / One of the four beasts saying, / 'Come and see.' and I saw, and behold a white horse"
13		Hurt	American IV: The Man Comes Around	Written by Nine Inch Nails. The song deals with drug addiction and self-destruction. Cash's version deals with regret, loneliness, and reckoning. "I hurt myself today / To see if I still feel / I focus on the pain / The only thing that's real".
14		I Hung My Head	American IV: The Man Comes Around	Written by Sting. The song deals with accidental violence and its fatal consequences. Very well to be sorry now. "Then it came to me yeah just what I've done / And all for no reason, just one piece of lead".
15		Personal Jesus	American IV: The Man Comes Around	Written by Depeche Mode. It's a song about being a Jesus for somebody else, someone to give you hope and care. The song is open to many interpretations. Johnny Cash meant it literally. "Your own, personal, Jesus / Someone to hear your prayers / Someone who cares".
16		Streets of Laredo	American IV: The Man Comes Around	Traditional. In the song a dying ranger tells his story to another cowboy. "Come sit down beside me and hear my sad story, / For I'm shot in the chest, and today I must die".
17		God's Gonna Cut You Down	American V: A Hundred Highways	Traditional. The lyrics warn evildoers that they cannot avoid God's judgment. Great arrangement. "He spoke to me in the voice so sweet / I thought I heard the shuffle of the angel's feet"
18		Further Up On the Road	American V: A Hundred Highways	Written by Bruce Springsteen. This version is better than the original. The song is about a man who finds himself experiencing the darkness on the edge of town. "Where the road is dark, and the seed is sowed / Where the gun is cocked, and the bullet's cold".
19		Four Strong Winds	American V: A Hundred Highways	Written by Ian Tyson.The song has a clear Canadian context and subtext, including an explicit mention of the province Alberta as well as references to long, cold winters. "Four strong winds that blow lonely / Seven seas that run high".
20		Ain't No Grave	American VI: Ain't No Grave	Written by Claude Ely. Recorded shortly before Johnny Cash's death in September 2003. Majestic arrangement. "There ain’t no grave gonna hold my body down / When I hear the trumpet sound / Gonna get up outa the ground".
21		Redemption Day	American VI: Ain't No Grave	Written by Sheryl Crow. "I've wept for those who suffer long / But how I weep for those who've gone / In rooms of grief and questioned wrong / But keep on killing".
22		Redemption Song	Unearthed	Written by Bob Marley. From the cd box set "Unearthed" featuring outtakes and alternate versions of songs and more. "How long shall they kill our prophets / While we stand aside and look? / Ooh, some say it's just a part of it / We've got to fulfill the book".

"The world might be changing, but I ain't". The man behind these defying words is Zeb Macahan. He was a mountain man, trapper/trader, and scout working for the U.S. Army in the Indian Territories in the television series "How the West Was Won". Zeb Macahan had capacity to do violence. Mountain mens, trappers/traders and scouts are now extinct. Next in line for extinction are music critics. I think we all can agree upon that music critics are a dying breed. You don't see too many reviews anymore. AI-generated playlists are here and have changed how we listen to music. Some people say that music critics are just failed musicians. And writing about music is their revenge for the shitty cards they have been dealt with. That's not entirely true. I will miss the funtion - as such - which analyzes, evaluates, and provides opinions. However, I have never come across a music critic with a perfect compass. Many critics can't write and few understand the subject matter. There are many things to get irritated about. For example, the inconsistency, shallowness and the tiresome critic lingo. And all the ranting, dissing and copy-pasting. Wait a minute, this sounds like a perfect description of me. I namely live by the motto of Zeb Macahan. I know what I like. And I like what I know.